Classic Gus Wilson Turned Head Black Duck Decoy, South Portland Maine, circa 1930s

Classic Gus Wilson Turned Head Black Duck Decoy, South Portland Maine, circa 1930s

$3,800.00

Classic Gus Wilson Turned Head Black Duck Decoy, South Portland Maine, circa 1930s, beautiful rough hewn gunning decoy by Maine’s great Augustus Aaron Wilson (1864 – 1950), having the head set at alert angle turned strongly to the right side, with his carved and painted eyes, scribed nares and mandible, characteristic Y carving to underside of bill, strongly inlet neck, carved raised wingtips and paddle tail; in original dark brown body paint with black wing, grey head paint, with black eyes and yellow bill; this decoy is very unusual in having all-over yellow dash speckling on body – quite elaborate and fancy for the normally minimalist Wilson!

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Classic Gus Wilson Turned Head Black Duck Decoy, South Portland Maine, circa 1930s, beautiful rough hewn gunning decoy by Maine’s great Augustus Aaron Wilson (1864 – 1950), having the head set at alert angle turned strongly to the right side, with his carved and painted eyes, scribed nares and mandible, characteristic Y carving to underside of bill, strongly inlet neck, carved raised wingtips and paddle tail; in original dark brown body paint with black wing, grey head paint, with black eyes and yellow bill; this decoy is very unusual in having all-over yellow dash speckling on body – quite elaborate and fancy for the normally minimalist Wilson!

The decoy is in great condition for an old working bird: there are the expected cracks and divots original to the block and beneath the paint (Wilson always used found, reclaimed wood), and some cracks and separation from drying to the neck. All in all, a very typical Wilson decoy. It retains an old paper tag on the bottom from the Richard Oliver Auction Gallery back in 1987.

Wilson was a very frugal Yankee and used reclaimed wood… odd and end cast off chunks and blocks he found and gathered for free. The nature of his raw material shows through in the final product, and his decoys usually have age check, splinters, knotholes and wood loss. A rustic sculptor, he whittled his “hand chopped” decoys with a hand ax. In spite of the deceptively simple carving and simplest of paint jobs, he found sublime expression in his posturing and facial expression. Most every decoy he carved tended to have the heads cocked more or less to the side, and turned at some angle, occasionally even all the way backwards in a preening or sleeping position. Just a few chops with a hatchet and his wooden blocks came to life, oozing attitude. And when set afloat they come to life, ready to quack, take flight or snap your finger off if you reached too close. Gus Wilson is justifiably known as one of Maine’s greatest folk artists, and one of the finest decoy makers from any region of the country.

Gus Wilson was born 8 September 1864 in the small town of Tremont on Mount Desert Island. He spent his entire life along the coast of Maine, working variously as a Waterman, boat builder, fisherman and sportsman, and supplemented his income by selling handcrafted decoys. He joined the Lighthouse Service at the age of 50 and tended the Goose Rocks Light on Fox Island in Penobscot Bay, the Two Lights Station at Cape Elizabeth, and Spring Point Light in Casco Bay. He passed away on 20 June 1950 at the age of 83.

Throughout his life as a longshoreman Gus Wilson carved and whittled: in a career spanning over a half century he is thought to have made up to five thousand decoys (Kangas, 2008), including many dozens of miniatures and decorative bird carvings, and quite a few tigers, snakes and other fanciful critters and figures. He was a man of talent and imagination, and possessed a whimsical desire to experiment.

Measures: 6 1/2 in H x 16 in L x 6 in W.

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